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How NOT to Get Screwed on a Screenwriting Assignment

A MESSAGE TO ALL TRIBE MEMBERS: I know everyone in the world is going through a scary and tough time right now. I decided that I will continue to create content that can help you not only escape the troubles of the world for a short time but also help you move forward on your filmmaking and screenwriting path. I find myself looking for things that make me feel normal and I know Indie Film Hustle, Filmtreprerneur, and Bulletproof Screenwriting are an everyday part of the lives of many people around the world.

I will continue to release fresh content for the weeks and months to come. This event will pass and I want you to be ready for any opportunities that might come your way. Stay safe and keep on hustling!


Today on the show I going to be discussing how NOT to get screwed on a screenwriting assignment. According to Wikipedia is

A screenwriter can also be approached and offered an assignment. Assignment scripts are generally adaptations of an existing idea or property owned by the hiring company, but can also be original works based on a concept created by the writer or producer. 

Screenwriting assignments are the holy grail for screenwriters. The problem is that that shiny carrot sometimes blinds you to the reality of what is going on. I spoke to a very season industry screenwriter with many credits under his belt, who shall remain nameless, and was enlightened by how producers and production companies take advantage of inexperienced screenwriters.

The predators are not just in the production and distribution waters, they are also alive and well in the development oceans as well. I hope this episode shines a light into this dark corner of the industry and shows screenwriters how to protect themselves and their work. Get ready to take some notes. Enjoy!

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