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Writing for Emotional Impact
- Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End
- Narrated by: Karl Iglesias
- Length: 9 hrs and 57 mins
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Publisher's summary
There are three kinds of feelings when reading a story: boredom, interest, and wow! To become a successful writer, you must create the wow feeling on as many pages as possible, and this requires writing that engages the reader emotionally.
In his best-selling book, screenwriter Karl Iglesias explored the working habits of A-list Hollywood scribes. Now, he breaks new ground by focusing on the psychology of the reader.
Based on his acclaimed classes at UCLA Extension, Writing for Emotional Impact goes beyond the basics and argues that Hollywood is in the emotion-delivery business, selling emotional experiences packaged in movies and TV shows.
Karl not only encourages you to deliver emotional impact on as many pages as possible, he shows you how, offering you hundreds of dramatic techniques to take your writing to the professional level.
In this audiobook, you will learn:
- Over 40 techniques to humanize a character for instant empathy
- The seven essential storytelling emotions
- Over 70 techniques to create them
- Over 50 ways to craft powerful scenes, including the emotional palette
- Over 30 techniques to shape your words and energize your narrative description
- The most common dialogue flaws and fixes for each
- Over 60 techniques to craft dynamic dialogue that snaps, crackles, and pops off the page
Not only does Karl Iglesias "get" emotion, but he also shares insider secrets for moving the reader from tears to laughter and everywhere in between.
Praise for the book:
"This is a must-have book for every screenwriter, director, and producer." (Rosa Graham, president of Find the Funny)
"Reading Writing for Emotional Impact will shake up your world. This is the book that tears through the clutter so that you can write from the heart." (Michael Lent, author of Breakfast with Sharks and co-producer of Hard Scrambled)
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By: Nicholas Meyer
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To Show and to Tell
- The Craft of Literary Nonfiction
- By: Phillip Lopate
- Narrated by: Arthur Morey
- Length: 7 hrs and 9 mins
- Unabridged
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Distinguished author Phillip Lopate, editor of the celebrated anthology The Art of the Personal Essay, is universally acclaimed as “one of our best personal essayists” ( Dallas Morning News). Here, combining more than 40 years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction. A phenomenal master class shaped by Lopate’s informative, accessible tone, and immense gift for storytelling.
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Not a guide on writing personal essays
- By A. Yoshida on 08-07-13
By: Phillip Lopate
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How Fiction Works
- By: James Wood
- Narrated by: James Adams
- Length: 5 hrs and 47 mins
- Unabridged
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Ranging widely from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings, Wood takes the reader through the basic elements of the art, step by step. He sums up two decades of insight with wit and concision, resulting in nothing less than a philosophy of the novel, which has won critical acclaim nationwide, from the San Francisco Chronicle to the New York Times Book Review.
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Educational!
- By Don on 05-04-09
By: James Wood
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Batman Unauthorized
- Vigilantes, Jokers, and Heroes in Gotham City
- By: Dennis O'Neil - editor, Leah Wilson - editor
- Narrated by: Colby Elliott
- Length: 7 hrs and 21 mins
- Unabridged
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Compiled by a veteran writer of the comic series, this collection of essays explores Batman’s motivations and actions, as well as those of his foes. Batman is a creature of the night, more about vengeance than justice, more plagued by doubts than full of self-assurance, and more darkness than light. He has no superpowers, just skill, drive, and a really well-made suit.
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Eccentric Essays Batman!
- By arthur m ball on 10-24-14
By: Dennis O'Neil - editor, and others
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Talking About Detective Fiction
- By: P. D. James
- Narrated by: Diana Bishop
- Length: 4 hrs and 18 mins
- Unabridged
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To judge by the worldwide success of Arthur Conan Doyle's Sherlock Holmes and Agatha Christie's Poirot, it is not only the Anglo-Saxons who have an appetite for mystery and mayhem. Talking about the craft of detective writing and sharing her personal thoughts and observations on one of the most popular and enduring forms of literature, P. D. James examines the challenges, achievements and potential of a genre which has fascinated her as a novelist for nearly 50 years.
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Fascinating and Informative
- By Nancy J on 03-17-13
By: P. D. James
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Read this if you're a writer
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Complete guide on action/ Same as Character and Dialogue are complete guides in those books
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The Craft of Scene Writing
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Abridged and censored- not the full book!
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Let outlines help you write a better book! Writers often look upon outlines with fear and trembling. But when properly understood and correctly wielded, the outline is one of the most powerful weapons in a writer's arsenal.
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Doesn't explain how to outline
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As a fantasy writer, this book was not for me.
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On Writing Well: Audio Collection
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This is not the described book.
- By Brianna on 11-06-13
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Dialogue
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In Dialogue, Robert McKee offers in-depth analysis for how characters speak on the screen, on the stage, and on the page in believable and engaging ways. From Macbeth to Breaking Bad, McKee deconstructs key scenes to illustrate the strategies and techniques of dialogue. Dialogue applies a framework of incisive thinking to instruct the prospective writer on how to craft artful, impactful speech.
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Not suited for audio
- By Smith on 03-04-17
By: Robert McKee
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Stein on Writing
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- Unabridged
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Stein on Writing provides immediately useful advice for writers of fiction and nonfiction, whether newcomers or accomplished professionals. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of usable solutions, how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place."
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Excellent advice and examples for better writing.
- By Jane on 06-22-12
By: Sol Stein
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Character
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- Unabridged
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Following up his perennially best-selling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the creation of compelling characters and the design of their casts. Character explores the design of a character universe: The dimensionality, complexity and arcing of a protagonist, the invention of orbiting major characters, all encircled by a cast of service and supporting roles.
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I question whether Robert wrote it
- By C. Deputy on 06-27-21
By: Robert McKee
What listeners say about Writing for Emotional Impact
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- FilmmakerSuperNova
- 07-04-20
Best audiobook by far for writing screenplays
If I were stranded on a desert island with a typewriter and paper, this is the book I'd want to help me in my writing. This book is for screenwriting, but I found most of it applied to write novels as well. Now, this is the live seminar that inspired the book but it is remarkable. It goes deeper than the book does. So good.
Iglesias takes the challenge of making you a better writer head-on. He starts out with that promise and delivers. His intent is to help you write scene by scene, paragraph by paragraph in such a way that no one could set your book down. He shows you how to ensure the reader cares about your characters and feels the character's emotions. He also points out how to make sure the reader has a takeaway that will make them talk about your story to other people.
He shows how to build tension, write snappy dialog, and deliver emotional scenes. He does this by examining movies like case studies and does it in a way that really hooks you. There are other books that examine movie plots and dialog, but this book is an order of magnitude better than the rest.
This is the most influential book on writing I can think of. I re-wrote my manuscript after reading this book. If you get mired down in chapter one, skip it, but this book is a must-read.
For any writer out there, I RECOMMEND THIS AUDIOBOOK ABOVE ALL OTHERS on the subject of writing.
Do I know the Author? No. Did I get the book for free? No. Is this an impartial review? Yes. This book will full on make you a better writer, and I look forward to a world filled with more intriguing, engrossing books!
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13 people found this helpful
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- Kindleholic
- 01-19-21
The audiobook is actually a series of (AWESOME) workshops!
Wow. Because this is not a script I will write on the nose: these workshops are f*cking awesome!! What a great value.
This isn’t actually a reading of the book, but several seminars that cover the same concepts. They are memorable and helpful and presented in a way that’s imho easier to digest than if this were a reading of the book. The seminars include: scene writing, dialogue, subtext, pitching, writing vivid descriptions, engaging reader emotions, and others. It’s like full day of 8 or 9 workshops for less than $20!
What was also great was getting actual techniques to use. Going to listen again with a notebook for notes!
I have LOTS of craft books but this is by far one of the best. (I’ve also been to a few seminars, which is why I’m blown away by this being less than 20 bucks! ) Great surprise to be actually getting a seminar rather than the reading.
(I’d buy the actual reading, too, Mr. Iglesias, so may be worth publishing that too!)
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7 people found this helpful
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- KimGreenAtlanta
- 02-21-21
Excellent material
Excellent material for a screen writer or a novelist. Much of the Audible version is from lectures. At first I had a problem the lack of polish in the speaking (um’s, dead space, etc.) but the content is so useful that I quickly got over it. Highly recommend this one.
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4 people found this helpful
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- Amy L Chozick
- 08-06-23
Has he ever met a female screenwriter??
I wanted to love this book, but I think if you’re a woman trying to break in, it may be more discouraging than encouraging. Right off the bat, when he says “all women put on makeup” but not all women can “walk the runways in Milan” - making a point about how everyone can write but not everyone can be a professional screenwriter. (The male example is driving and Formula One - since women don’t drive?) So many cringe moments. The dialogue examples he uses, the writers he references, all hyper male. I found myself so distracted by the casual misogyny. I’d love to send him a Norah Ephron script. His advice is better than the typical formula stuff, but also pretty basic / obvious if you are already a working writer. If not, then this may be helpful. I am bummed and wish I could get my credit back.
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3 people found this helpful
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- Amber
- 07-23-21
I am still listening to this powerful book.
I want this book to 've in my heart. I look at the Author as one of my professors. I can't see not listening to this book. This is a book filled with powerful words, concepts and. direction. I look forward to hearing and reading more books by this Author.
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- Joseph Harrison
- 03-30-21
Thank you Karl
As a songwriter I benefited hugely from Karl Inglesias’ lectures. He’s easy to follow along with and gives great analogies and examples
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- Amazon Customer
- 03-03-21
In depth stuff
This book is actually a great collection of Carl Iglesias’s seminars on these topics but regardless of the format, it’s an incredible collection of knowledge and useful for screenwriters to learn from.
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- Sabrina
- 03-01-21
Excellent resource for budding novelists too!
I am on my second listen of this title as I type and just ordered the paperback. Of all of the books I've listened to, and there are many in my collection, this has the most applicable tips. He doesn't offer recipes, he provides ingredients and places to start. The recordings are from a series of workshops so there is some repetition in the introductions of some of the chapters.
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- BillionaireManzi
- 02-26-21
Listen
It's good and he goes on about the details behind what I took for granted
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- JDOE
- 05-09-23
Well worth a listen.
Several key points that helped me. Eliciting emotion from the reader is something other writing books don't cover nearly as well as this book.
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2 people found this helpful